Sunday 16th December 2018 Advent 3

"This is the record of John" Orlando Gibbons (1583-1625)

This is typical anthem of its time.  It is based on text from the Gospel of John (1:19 -23) and refers to John the Baptist.  It is divided into 3 sections each starting with solo countertenor followed by SATB chorus echoing the words of the soloist. Although usually performed on organ or viol, today Joanna Chivers (our Director of Music) played an electric piano on "harpsichord" mode which added an "early music" feel to the piece.

The anthem was written at the request of William Laud, president of St John's College, Oxford.

Gibbons sang in he choir of Kings College Cambridge between 1598 and 1598, where his eldest brother was master of the choristers. He gained his Bachelor of Music in 1606. King James 1 appointed him a Gentleman of the Chapel Royal, and he was organist there from around 1615 until his death, being senior organist from 1623. He was also a keyboard player in the privy chamber of Prince Charles (later Charles 1) and organist at Westminster Abbey. He died suddenly at the age of 41.

From Wikipedia

He wrote a large number of pieces for keyboard, madrigals and many verse anthems of which "This is the record of John" is one.

Jubilate Deo in B flat  Charles Villiers Stanford

Sir Charles Villiers Stanford (1852-1924) thought to be one of our great British composers was actually Irish, born in Dublin, although educated at The University of Cambridge and then studied music in Leipzig and Berlin.

Whilst an undergraduate, he was appointed organist of Trinity College, Cambridge and was one of the founding professors of the Royal College of Music, where he taught composition for the rest of his life.  He was also Professor of Music at Cambridge.  His pupils included Gustav Holst and Ralph Vaughan Williams whose fame went on to surpass his own.

He is best remembered for his sacred choral compositions for church performance in the Anglican tradition. Along with Hubert Parry and Alexander Mackenzie, he was thought responsible for the renaissance of music in the British Isles.

Taken from the Novello Copy:
Sir Charles Villiers Stanford has a perverse relationship with posterity.  Remembered today largely for his choral miniatures, this restless symphonist was the unwilling Janus of British music. A significant presence on the European scene in his own lifetime, he was an outspoken critic of Wagner, Strauss and modernism in general. Nevertheless, as a formalist with flair and skill, his influence catalysed much of the great English Music of the 20th century.  As fellow composer George Dyson said: "In a certain sense the very rebellion he fought was the most obvious fruit of his methods". The Jubilate in B flat displays the composer's trademark of thematic structures.

From Wikipedia

9th December 2018 Advent 2

How Beautiful Upon the Mountains   from "Awake, awake; put on thy strength, O Zion"
John Stainer 1840-1901 Words Isaiah 52 v. 7

Stainer was born in Southwark, London, the son of a cabinet maker. He was a chorister at  St Paul's Cathedral at the age of 10 and at 16, appointed organist at St Michael's College, Tenbury.  In 1960, he became organist at Magdalen College, Oxford. He was allowed to study for a degree so long as it did not interfere with his duties and in 1864 gained his BA, and 2 years later his MA.  He was eventually an examiner for Oxford music degrees.

In 1872 he was appointed organist at St Paul's cathedral, in 1877 an honorary fellow of the Royal Academy of Music, and an examiner for the Doctor of Music degrees for Cambridge and London Universities.  He received his knighthood from Queen Victoria in 1888.

John Stainer (Wikimedia Commons)

2nd December 2018 Advent 1

O Thou The Central Orb  Charles Wood

This is one of Wood's many fine anthems. It is suitable for Advent.


Charles Wood (1866-1926) was born in Ireland. He was a treble chorister in the nearby St Patrick’s Cathedral, Armagh. He received his early education in the cathedral choir school and also studied the organ under Robert Turle and Dr Thomas Marks. In 1883, he was one of the inaugural students of the Royal College of Music, studying composition under Charles Villiers Stanford and CHH Parry. After four years he continued his studies at Selwyn College, Cambridge. In 1889 he was appointed as organ scholar in Gonville and Caius college, Cambridge, becoming a fellow in 1994 and Director of Music and organist. Following the death of Stanford in 1924 Wood took over the role of Professor of Music in Cambridge.

He is remembered for his Anglican Church music.

From Wikipedia

25th November 2018 Christ The King

Above All Praise And Majesty   Felix Mendelssohn (1809 - 1847)

Above All Praise And Majesty is a joyful,majestic piece suitable for Christ The King, Ascension and Easter.

Felix Mendelssohn is a German born composer, organist, conductor and pianist. He was a grandson of the philosopher, Moses Mendelssohn and so born into a prominent Jewish family.  However he was brought up without religion until the age of seven when he was baptised as a Reformed Christian. he was recognised early as a musical prodigy, but his family did not seek to capitalise on his talent. Mendelssohn revived interest in the music of J S Bach. He had quite conservative tastes in his composition which set him apart from his contemporaries, such as Liszt, Wagner and Berlioz. He founded the Leipzig Conservatoire.

From Wikipedia

11th November 2018 Remembrance Sunday

My Soul, There is a Country,  from Songs of Farewell by C H H Parry

This is the first of Parry's "Songs of Farewell" written about the needless suffering in war. It changes tempo from slow and somber to a more lilting, uplifting, dance like quality, back and forth during the piece. The choir sang it accompanied by our Director and conducted by James Roriston.

C H H Parry was born in Bournemouth in 1848 into a rich family and was educated at Eton where he also gained his music degree.  He went to study further at Oxford.  His music influenced other great English composers such as Elgar and Vaughan Williams.  He wrote his best music in his later years and this include his Songs of Farewell.  He died in Rustington in 1918, just before the end of the Great War.

Sir Charles Hubert Hastings Parry
From Wikipedia

14th October 2018 Trinity 20

Ave Verum Corpus   Edward Elgar

Ave verum corpus  is traditionally a communion hymn written by Pope Innocent VI, set to music by many composers over the years.

Edward Elgar (1857-1937) was born in a village close to Worcester.  His father had a music shop in Worcester and tuned pianos. Elgar was mostly self taught.  His influence grew in the 1880's and 1890's  despite his being a Roman Catholic in a largely Anglican community. In 1889 he married one of his pupils, Caroline Alice Roberts, against opposition from her family. She played a major part in his career development.

Elgar is one of the great English composers, who has left a legacy of great orchestral and choral works.

from Wikipedia

7th October 2018 Harvest Thanksgiving

The anthem was "The Lord Hath Been Mindful Of Us" from "ascribe Unto The Lord" by Samuel Wesley

This is the final part of Ascribe unto the Lord which is a setting of Psalm 96, verses 7-10, 2, 3 and 5 and Psalm 115, verses 4-8, 3,and 12-15.

The LORD hath been mindful of us: he will bless us; he will bless the house of Israel; he will bless the house of Aaron.
He will bless them that fear the LORD, both small and great.
The LORD shall increase you more and more, you and your children.
Ye are blessed of the LORD which made heaven and earth.

Samuel Sebastian Wesley (1810 - 1876) was the illegitimate son of Samuel Wesley and Sarah Souter, and grandchild of Charles Wesley. He was a choirboy in the Chapel Royal and then embarked on a musical career.  He was appointed organist at Hereford Cathedral in 1832 and then married the Dean's sister.  He moved to Exeter Cathedral in 1835 and 1842, Leeds Parish Church, 1849 - Winchester Cathedral, 1865 - Gloucester Cathedral.  In 1839 he achieved his Bachelor of Music and Doctorate of Music from Oxford.  He became Professor of Organ in the Royal Academy of Music in 1850.

His work was almost exclusively for the Anglican church.  With Father Willis he is jointly credited with the invention of the concave and radiating pedal board for organ which has now become the standard internationally.

Saturday 6th October 2018 Chichester Cathedral, Holy Communion according to the Book of Common Prayer

The choir were asked to sing at his annual service to celebrate the Book of Common Prayer by William Tyndale, translator, martyr, 1536.

The choir sang parts of the Communion Service in F major by Herbert Sumsion, the Benedictus, Sanctus, Agneus Dei and the Gloria.

Herbert Sumsion (14.1.1899 - 11.8.1995) was an English musician and organist at Gloucester Cathedral from 1928 -1967. As a major figure is the Three Choirs festival he had links with the major 20th century composers.  Although known primarily as a cathedral organist, his work was far ranging.

The Anthem was "Lead me Lord" from "Praise the Lord, O my soul" by Samuel Sebastian Wesley

"Praise the Lord, O my Soul" was written in 1861 and contains the short anthem "Lead me Lord". It was composed when Wesley was organist at Winchester College and Cathedral. "Lead me Lord " is the final section of the work, and has a wondrous simplicity with 2 short solo parts which lend themselves beautifully for young choristers starting on solo work.

Samuel Sebastian Wesley (1810 - 1876) was the illegitimate son of Samuel Wesley and Sarah Souter, and grandchild of Charles Wesley. He was a choirboy in the Chapel Royal and then embarked on a musical career.  He was appointed organist at Hereford Cathedral in 1832 and then married the Dean's sister.  He moved to Exeter Cathedral in 1835 and 1842, Leeds Parish Church, 1849 - Winchester Cathedral, 1865 - Gloucester Cathedral.  In 1839 he achieved his Bachelor of Music and Doctorate of Music from Oxford.  He became Professor of Organ in the Royal Academy of Music in 1850.

His work was almost exclusively for the Anglican church.  With Father Willis he is jointly credited with the invention of the concave and radiating pedal board for organ which has now become the standard internationally.

A Concert Of Piano Music Marking The Centenary Of Claude Debussy 30th September 2018

Tom Cooper presented us with a wonderful concert of piano music by Debussy and the composers who influenced in style.  "Lecture notes" were taken by me and James Roriston which are below.

J S Bach (1685-1750)  Toccata in D major BWV 912 (?Weimar c.1708)
Bach was an immense influence on the romantic composers of the nineteenth century.  The music was flamboyant and operatic.  The form was very sectional with alternating fast and slow tempi. The Romantics loved this.  This piece is not often heard in concerts now.  It was the work of a young Bach and shows youthful exuberance.

Claude Debussy (1862-1918) "Prelude" from Suite pour le piano (Paris 1901)
This is a sort of response to the previous Bach. You can hear how much he responded to the fast note writing.  This texture is repeated throughout his career.  Debussy was often quite prickly about other composers, but not Bach.  He said Bach was the only composer before whom he would tremble if called upon to play.

Fryderyck Chopin (1810-1849) Berceuse Op.57 (Nohant 1844)
Debussy "Claire de lune" from Suite bergamasque (Paris 1890)
Chopin was adopted by the French spending most of his time in Paris apart from a brief stay in Scotland when he was accompanied by James Stirling.  Whilst in Scotland Chopin said he used to watch them talking and listen to them eating!  Chopin's style and harmony was much admired by Debussy and Chopin influenced his piano "sound".  These pieces are played as a pair to show the similarity in style.

Piotr Ilyich Tchaikovsky (1840-1893) Two dances from Swan Lake Op.20 (Moscow 1876)
There is strange connection between Debussy and Tchaikovsky as Debussy worked for the latter's patron.  She was a "bit nuts".  It was written in their contract that she and Tchaikovsky should never meet.  There was a profound misunderstanding on her part of being a patron.  She showed Tchaikovsky  an early composition of Debussy's and Tchaikovsky was a bit "sniffy" about it. Debussy took this amiss.  He was hard to please and refused to acknowledge any influence by Tchaikovsky on his music.  However the humour and lightness of the two dances would have been widely enjoyed.  The repetition of small cells of music has possibly been taken by Debussy, but was also used by other composers of the time.

Debussy Estampes (Paris 1903)
Debussy delighted in the exotic.  He was influenced by the music he heard in the  Indonesia tent of the Paris Exhibition of 1888. The exhibition was designed to show off the French Empire, what they already had, and what they had in their sight!  Debussy heard Gamalan music and "westernised"  it. Unusually the French have heavily influenced our idea of what Spanish music should sound like.

Franz Liszt (1811-1886) Etude D'execution Transcendante No 11, "Harmonies du soir" (Weimar 1851)
Debussy Prelude No4 Bk 1 ("Les sons et les parfums tournent dans l'air du soir") (Paris 1910)
Their is a marked difference to the previous Debussy heard. There is a clarity to the sound.  The athletic nature and harmony was a great influence on Debussy.  This is boisterous music. Also post impressionist and shows "modernism".

 Liszt "Waldesrauschen" from Two Concert Studies (Rome 1862)
This is a piece about the forest and the sunset and the voices within it.  Rather than something quiet and reflective though, this piece is busy and at times noisy and active.

Debussy "Reflets dans l'eau" from Images 1 (Paris 1905)
There is more modernism in this piece with fast runs and an over-arching melody that just flows through the piece.

Wagner arr. Liszt "Liebestod" from Tristan and Isolde (1857-9, arr. Rome 1867)
Liszt transcribed many pieces.  This is a good example. Debussy really liked the music of Wagner.

Debussy "Golliwog's Cake Walk" from Children's Corner (Paris 1908)
This piece was written for his daughter - it has a quote from the earlier Wagner piece. It is playful and has a lot of character. Golliwog refers to the dog who shakes his head on hearing the music and the composer increasingly depicts this playfully, re-imagining the music through to the conclusion of the piece.

Tom Cooper has a relaxed style on playing which was so well received he played us an encore, The Girl With The Flaxen Hair.

23rd September 2018 Trinity 17

I Give To You A New Commandment   Peter Nardone

The anthem today is based on  John 13:34-35 A new commandment I give unto you that you love one another as I have loved you.  What makes this anthem particularly lovely is the Latin hymn Ubi caritas which is sung by the men after the ladies have sung through the New Testament words as a wonderful counter-tune below the ladies. 
Ubi caritas est vera, Deus ibi est. Congregavit nos in unum Christi amor. Exsultemus et in ipso jucundemur. Timeamus et amemus Deum vivum. Et ex corde diligamus nos sincero.

Peter Nardone - (Bach Cantatas Website)

[Where charity is true, God is there. The love of Christ has gathered us into one. Let us rejoice and be glad in him. Let us fear and love the living God. And from a sincere heart let us love one another.]

Peter Nardone was born in Scotland in 1965 and studied organ and piano at the Royal Scottish Academy of Music and Drama. He later studied singing at the Royal Academy of Music, London. In 2012 he was Organist and Director of Music at Worcester Cathedral and artistic director of the Three Choirs Festival.  As a singer, he has sung with the Monteverdi Choir, Tallis Scholars, Kings Consort  and many others.

His compositions are mostly religious.

16th September 2018 Trinity 16

Benedictus in C   C V Stanford

The Benedictus was composed in 1909 as part of Stanford's Morning and Evening Service together with the Office of Holy Communion Op 115.  Stanford was given the choice to hear one of his services sung at Matins at York Minster in 1923 when he was a guest of the organist, Edward . "He chose the one in C", Bairstow recalled, "for he said he had never heard it!"

Sir Charles Villiers Stanford (1852-1924) thought to be one of our great British composers was actually Irish, born in Dublin, although educated at The University of Cambridge and then studied music in Leipzig and Berlin.

Whilst an undergraduate, he was appointed organist of Trinity College, Cambridge and was one of the founding professors of the Royal College of Music, where he taught composition for the rest of his life.  He was also Professor of Music at Cambridge.  His pupils included Gustav Holst and Ralph Vaughan Williams whose fame went on to surpass his own.

He is best remembered for his sacred choral compositions for church performance in the Anglican tradition. Along with Hubert Parry and Alexander Mackenzie, he was thought responsible for the renaissance of music in the British Isles.

The Call (One of Five Mystical Songs)  R Vaughn Williams

These are a collection of songs composed between 1906 and 1911 based on poems by the Welsh born English poet, George Herbert (1593-1633) who was also an Anglican priest.  There are four poems, Easter being divided into two from his 1633 collection "The Temple: Sacred Poems".  Vaughn Williams was an aethiest, but it did not stop him from setting these overtly religious poems to music.  Vaughn Williams conducted its first performance at the Three Choirs Festival in
Worcester 14th September 1911.  Originally it was composed for Baritone solo with various  accompaniments.

Come, my Way, my Truth, my Life:
Such a Way, as gives us breath:
Such a Truth, as ends all strife:
Such a Life, as killeth death. 

Come, my Light, my Feast, my Strength:
Such a Light, as shows a feast:
Such a Feast, as mends in length:
Such a Strength, as makes his guest. 

Come, my Joy, my Love, my Heart:
Such a Joy, as none can move:
Such a Love, as none can part:
Such a Heart, as joyes in love. 

Ralph Vaughn Williams (1872-1958)  was born to a wealthy family but with a good moral code and progressive social outlook.  He always sought to help his fellow citizens. He also thought his music should be available and accessible by everyone. He developed late musically not really finding himself until in his thirties. He studied with Maurice Ravel 1907-1908 and this helped him clarify the texture of his music and rid him of Teutonic influences.  He is one of our best known symphonists  encompassing a wide range of moods from the utterly tranquil to ranging fury, mysterious to exuberant. He was strongly influenced by Tudor and folk music.  He was deeply affected by the First World War in which he served. His body of work is vast and his music remains popular and widely performed.

From Wikipedia,

9th September 2018 Trinity 15

God Be In My Head  John Rutter

God be in my head is one of the earliest English prayers found in the Sarum Primer of 1514. It is a prayer for God's guidance. John Rutter has written a beautiful setting to these profound yet simple words.

John Rutter was born in London in 1945 and had his first musical training at Highgate School as a chorister. He studied music at Clare College, Cambridge where he wrote his first published music and had his first recording whilst still an undergraduate.

John Rutter [Wikimedia Commons]

His compositions cover a wide variety of musical genres but he is well know by all choirs who must have some

Rutter in their repertoire. He formed the Cambridge Singers and spends his time composing and conducting.

He was awarded a CBE for services to music in the 2007 Queen's New Year Honours List.

2nd September 2018 Trinity 14

Ave Verum Corpus   Edward Elgar

The choir is back from its Summer Break

Ave verum corpus  is traditionally a communion hymn written by Pope Innocent VI, set to music by many composers over the years.

Edward Elgar (1857-1937) was born in a village close to Worcester.  His father had a music shop in Worcester and tuned pianos. Elgar was mostly self taught.  His influence grew in the 1880's and 1890's  despite his being a Roman Catholic in a largely Anglican community. In 1889 he married one of his pupils, Caroline Alice Roberts, against opposition from her family. She played a major part in his career development.

Elgar is one of the great English composers, who has left a legacy of great orchestral and choral works.

1. 

29th July 2018 Trinity 9

The Lord Bless You and Keep You   John Rutter

The text is a Priestly Blessing (otherwise known as the Aaronic Blessing from the Book of Numbers 6:24-26. Rutter composed this in 1981 for the memorial service of Edward T Chapman, director of Music at Highgate School with whom he had studied.

John Rutter was born in London in 1945 and had his first musical training at Highgate School as a chorister. He studied music at Clare College, Cambridge where he wrote his first published music and had his first recording whilst still an undergraduate.

John Rutter  Wikipedia

His compositions cover a wide variety of musical genres but he is well know by all choirs who must have some Rutter in their repertoire. He formed the Cambridge Singers and spends his time composing and conducting.

He was awarded a CBE for services to music in the 2007 Queen's New Year Honours List.

22nd July 2018 Trinity 8

Brother James's Air (Marosa)  arr. Gordon Jacob

James Leith Macbeth Bain (1860-1925) was a minister, hymn writer and poet known to his peers as Brother James.  He was born in Pitlochry where he was a pupil teacher before going to Edinburgh Free Church College and the Edinburgh Established Church College.  His ministry took him to Liverpool and then to London as a spiritualist minister. He is best known for Brother James's Air which is usually set to The Lord's My Shepherd.

Gordon Jacob (1895-1984) is best known as a composer for wind band and instructional texts. He was a prisoner of war in 1917 and was one of only 60 survivors of the 800 in his battalion. On his release he initially studied journalism, but changed to composition, theory and conducting at the Royal College of Music. Because of a cleft palate and a childhood hand injury he was very limited as a performing musician, but found his forte as a composer especially for wind instruments.  He was considered to be conservative in style, but famously said "the day that melody is discarded altogether, you may as well pack up music...".

gordonjacob.net

15th July 2018 Trinity 7

"Benedictus in C"  C V Stanford.

The Benedictus was composed in 1909 as part of Stanford's Morning and Evening Service together with the Office of Holy Communion Op 115.  Stanford was given the choice to hear one of his services sung at Matins at York Minster in 1923 when he was a guest of the organist, Edward Bairstow. "He chose the one in C", Bairstow recalled, "for he said he had never heard it!"

Sir Charles Villiers Stanford (1852-1924) thought to be one of our great British composers was actually Irish, born in Dublin, although educated at The University of Cambridge and then studied music in Leipzig and Berlin.

Whilst an undergraduate, he was appointed organist of Trinity College, Cambridge and was one of the founding professors of the Royal College of Music, where he taught composition for the rest of his life.  He was also Professor of Music at Cambridge.  His pupils included Gustav Holst and Ralph Vaughan Williams whose fame went on to surpass his own.

He is best remembered for his sacred choral compositions for church performance in the Anglican tradition. Along with Hubert Parry and Alexander Mackenzie, he was thought responsible for the renaissance of music in the British Isles.


Jesu, Joy of Man's Desiring   J S Bach

This is the common title of the 10th and last movement of the cantata “Herz und Mund und Tat und Leben” (BVW 147) composed in 1716 and 1723.  It is commonly played at weddings and Christian festive seasons of Easter and Christmas.  Much of the music of this cantata comes from Bach’s Weimar period (the 1716 parts) finished in 1723 in Leipzig.

Johann Sebastian Bach (1685 – 1750) was a German composer and musician of the Baroque period. He was a highly respected organist in his lifetime, although not recognised as a composer of magnitude (possibly one of the greatest) until a revival of his works in the first half of the 19th century. He showed considerable skill in counterpoint and harmony. He was able to adapt rhythm, form and texture from abroad. He was a prolific composer of church music due to the demand for huge numbers of cantatas over the Christian year.  It is thought her wrote over 300 with only around 200 surviving. He also wrote many other works sacred and secular.  It is now agreed that his music has technical command, intellectual depth and artistic beauty.

8th July 2018 Trinity 6

“Panis Angelicus”  César Franck

“Panis Angelicus” (Bread of Heaven) is the penultimate strophe (stanza) of the hymn “Sacrum solemnis” written by St Thomas Aquinas for the feast of Corpus Christi.

This particular stanza has often been set to music separately from the rest of the hymn.  In 1872 César Franck set the stanza for Tenor voice, harp, cello and organ and incorporated it into his “Messe à trios voix” Op 12.  Today’s version was arranged by Henry Geehl.

César Franck (1822 – 1890) was born in Liège (now Belgium but in 1822 part of the United Kingdom of the Netherlands).  He was a composer, pianist, organist and music teacher working in Paris during his adult life.

He gave his first concert in Liège in 1834 and studied privately in Paris from 1835.  He returned briefly to Belgium but after a disastrous reception to “Ruth”, an early oratorio, he went back to Paris.  He married and started his career as teacher and organist.  He gained a reputation for improvisation.

In 1850 he became organist at Sainte-Clotilde where he remained for the rest of his life. He became a professor at the Paris Conservatoire in 1872 and at the same time, he took French nationality, a prerequisite for his professorship. Once at the conservatoire, Franck wrote many pieces that have entered the classical repertoire.

1st July 2018 Sea Sunday Trinity 5

We welcomed our newest Junior Chorister, Tilly, into the choir today.  As is the St Mary's tradition, a small group of the choir sang  "Lead me Lord" by Samuel Sebastian Wesley. For more information, see 9.7.17.

The choir anthem was Never Weather Beaten Sail  by Charles Wood, see 2.7.17.

24th June 2018 Birth of St John the Baptist

How Beautiful Upon The Mountain    from  Awake, awake, put on thy strength, O Zion. 
John Stainer


See 10.12.17

17th June 2018 Trinity 3

Thou Visitest The Earth   Dr Maurice Green

See 16.7.2017

10th June 2018 Trinity 2

Lord For Thy Tender Mercy's Sake  Music could be by either Farrant or John Hilton.  Arrangement by Anthony Green. Words from J Bull, Christian Prayers and Holy Meditation (1568)

Henry Bull died in 1577.  He was an eminent theological writer.  In 1553 when Mary I came to the throne, he with the help of a conspirator snatched a censer from the hand of an officiating priest and was expelled from Magdalen. He was quiet during the rest of her reign, but came back to prominence on the ascension of Elizabeth I. He was also the editor of Christian Praiers and Holy Meditacions which appeared first by 1570, from which the text of our anthem today was taken.

27th May 2018 Trinity Sunday

God So Loved The World    Stainer

The words are taken from the Gospel reading for today.

See 25th June 2017

6th May 2018 Easter 6

Ave Verum Corpus WA Mozart

See 23.7.2017

29th April 2018 Easter 5

Walking in a garden   Traditional Irish Melody arranged by Arthur Hutchings (1906-1989) 

Poem Hilary Greenwood (1929-2003)

Arthur James Bramwell Hutchings was an English Musicologist and after WW2 Professor of Music at The University of Durham. He was also a composer and many of his tunes are included in The New English Hymnal, serving many years as a director of the English Hymnal Company.

Hilary Peter Frank Greenwood was an Anglican theologian.  He wrote "Walking in a garden" for his nephews and set it originally to "Puff the Magic Dragon". As well as the Hutchings arrangement it is also set to "Au Clair de la  Lune". It includes the three gardens, Eden, Gethsemane and the Easter garden of Resurrection.

29th April 2018 Easter 5

Walking in a garden   Traditional Irish Melody arranged by Arthur Hutchings (1906-1989) 

Poem Hilary Greenwood (1929-2003)

Arthur James Bramwell Hutchings was an English Musicologist and after WW2 Professor of Music at The University of Durham. He was also a composer and many of his tunes are included in The New English Hymnal, serving many years as a director of the English Hymnal Company.

Hilary Peter Frank Greenwood was an Anglican theologian.  He wrote "Walking in a garden" for his nephews and set it originally to "Puff the Magic Dragon". As well as the Hutchings arrangement it is also set to "Au Clair de la  Lune". It includes the three gardens, Eden, Gethsemane and the Easter garden of Resurrection.

22nd April 2018 Easter 4 Good Shepherd Sunday

Turn Thy Face From My Sins   Thomas Attwood (1765-1838)

The text is from Psalm 51, vv. 9-11

See 29.10.17

15th April 2018 Easter 3

O For A Closer Walk With God     Stanford

See 15.10.17

1st April 2018 Easter Day

Just as I am  John H Maunder

The words were written in 1835 by Charlotte Elliott. The story of its conception is described by John Brownlie in his book The Hymns and Hymn Writers of the Church Hymnary: 
The night before the bazaar she was kept wakeful by distressing thoughts of her apparent uselessness; and these thoughts passed by a transition easy to imagine into a spiritual conflict, till she questioned the reality of her whole spiritual life, and wondered whether it were anything better after all than an illusion of the emotions, an illusion ready to be sorrowfully dispelled. The next day, the busy day of the bazaar, she lay upon her sofa in that most pleasant boudoir set apart for her in Westfield Lodge, ever a dear resort to her friends." The troubles of the night came back upon her with such force that she felt they must be met and conquered in the grace of God. She gathered up in her soul the great certainties, not of her emotions, but of her salvation: her Lord, His power, His promise. And taking pen and paper from the table she deliberately set down in writing, for her own comfort, "the formulae of her faith." Hers was a heart which always tended to express its depths in verse. So in verse she restated to herself the Gospel of pardon, peace, and heaven. "Probably without difficulty or long pause" she wrote the hymn, getting comfort by thus definitely "recollecting" the eternity of the Rock beneath her feet. There, then, always, not only for some past moment, but " even now " she was accepted in the Beloved "Just as I am".

John H Maunder wrote a beautiful setting included in "Olivet to Calvary".  For more information see 14.4.17.

This Joyful Eastertide  Melody from "David's Psalmen" Amsterdam 1685, Harmony Charles Wood (1866 -1926) , Words G R Woodward (1848 - 1934)

This is an Easter carol first published in 1894 in "Carols for Easter and Ascensiontide".  George Radcliffe Woodward was an Anglican priest who wrote many religious verses often set to music by his friend Charles Wood. He was born in Birkenhead and graduated in 1872 from Gonville and Caius College, Cambridge. Two years later he was ordained by the Bishop of London. In 1924 he received an Honorary Lambeth Doctorate in Music.

Charles Wood see 2.7.17.


Two of our junior choristers, James and Maggie received their dark blue ribbons during today's service.

30th March 2018 Good Friday

The Cross of Christ

Our Good Friday service followed the form of The Cross Of Christ from the Royal School of Church Music.

The choir sang 3 motets:

"Is it nothing to you"  Ouseley (1825 - 1889)

Sir Frederick Arthur Gore Ouseley was born in London and showed a prodigious faculty for music, composing his first opera at the age of eight! In 1844 he inherited the baronetcy and also went to Christ Church, gaining his BA in 1846 and his MA in 1849.  He was ordained the same year as gaining his MA and served as curate in St Paul's Church, Knightsbridge.  He was throughout his life conflicted by his aristocratic heritage and his performance of Anglican music, considered to be below someone of his standing. In 1850 he took the degree of Mus. B at the University of Oxford, 4 years later the degree of Mus.D.  In 1855 he was Heather Professor of Music at Oxford until 1889.  In 1856 he founded and endowed with his own money, St Michael's College, a model choir school in the Anglican tradition.  He was also its first Warden. His works are little known today, but his most notable student was Sir John Stainer.

Ouseley
Picture from Wikipaedia

2 Kings 24:13  Is it nothing to you, all ye that pass by? behold, and see if there be any sorrow like unto my sorrow, which is done unto me, wherewith the LORD hath afflicted me in the day of his fierce anger.

"O Lord who dares to smite thee. "  J S Bach

Taken from his St Matthew's Passion

See  also 13.5.17.

"O Saviour of the world"  Sir John Goss (1800 - 1880)

Sir John Goss was a boy chorister in The Chapel Royal and later a pupil of Sir Thomas Attwood, organist at St Paul's cathedral.  He spend a short time in the chorus of an opera company before being organist at a number of churches, finally at St Paul's where he worked hard to improve the musical standards. His works are mostly vocal, both sacred and secular.  From 1827 until 1874, he was a professor at The Royal Academy of Music teaching harmony.  He taught Arthur Sullivan and John Stainer who succeeded him as organist at St Paul's.

Sir John Goss
Picture from Wikipedia

See also 18.3.18.

29th March 2018 Maundy Thursday

Ave Verum Corpus     Edward Elgar

See 22.10.17

25th March 2018 Palm Sunday

God So Loved The World   John Stainer

See 25.6.17

James, one of our junior choristers sang his solo 2 verses of "All things bright and beautiful" as part of his choral training.

24th March 2018

Olivet to Calvary  John H Maunder (1858-1920)

A Sacred Cantata

Recalling some of the incidents in the last days of Saviour's life on earth.

The choir performed this cantata along with a few choir guests.

The soloists were:
Sarah Amos - Soprano
Hilary Platts - Tenor
Peter Webster - Baritone

with our Musical Director Joanna Chivers at the piano.

See 14th April 2017 >>
Programme notes >>

Sunday 18th March 2018 passion Sunday

Jubilate Deo in B flat  Charles Villiers Stanford 

Taken from the Novello Copy:
Sir Charles Villiers Stanford has a perverse relationship with posterity.  Remembered today largely for his choral miniatures, this restless symphonist was the unwilling Janus of British music. A significant presence on the European scene in his own lifetime, he was an outspoken critic of Wagner, Strauss and modernism in general. Nevertheless, as a formalist with flair and skill, his influence catalysed much of the great English Music of the 20th century.  As fellow composer George Dyson said: "In a certain sense the very rebellion he fought was the most obvious fruit of his methods". The Jubilate in B flat displays the composer's trademark of thematic structures.
Also see 21.5.2017.

O Saviour of the World   Arthur Somervell (1863-1937)

Sir Arthur Somervell was born in the Lake district, son of Robert Miller Somervell, the founder of K Shoes. He studied composition under Sir Charles Villiers Stanford at King's College Cambridge. For 2 years he studied music at the High School for Music in Berlin, and following that from 1885-1887 at the Royal School of Music in London under Parry. In 1894 he became a Professor at The Royal School of Music, in 1901, he was appointed Inspector of Music at the Board of Education and Scottish Education Department and in 1902 received the Doctor of Music degree from the University of Cambridge. He achieved success during his lifetime for his choral works, but is now mostly remembered for his song cycles. He had a conservative style showing influences from Mendelssohn and Brahms.  He was also very active in music education. He was knighted in 1929.

Sir Arthur Sumervill
Picture from Hyperion.

"O Saviour of the World" is a suitable anthem for Lent, Holy Week or Communion, The words are from the Anglican Order for the Visitation of the Sick.

11th March 2018 Mothering Sunday

What Wondrous Love Is This   Geoffrey Weaver

Geoff Weaver was born in 1943.  He read Music at Gonville and Caius College, Cambridge gaining an honours degree. He founded the Bath Youth Choir and directed the Bach Cantata Choir. After teaching in the UK, worked in Hong Kong for 8 years with the Church Mission Society. He was Director of Music for 4 years in Bradford Cathedral and 8 years on the training staff at CMS Training College at Selly Oak. He was also Director of Studies/Outreach for the Royal School of Church Music for 8 years.

Picture from St Michael's Chamber Choir

"What Wondrous Love is This" is an American Folk Hymn arranged by Geoff Weaver.  It starts as a simple melody sung for us today by the Junior Choir, and goes into 3 part harmony for the middle stanza, finishing with unison Alto, Tenor, Bass and  Soprano descant, building to a joyous crescendo.

4th March 2018 3rd Sunday in Lent

Ave Verum Corpus   Edward Elgar

See previous post 22.10.17

11th February 2018 Quinquagesima

taken from Wikipedia

Ave Verum  Charles Gounod (1818-1893)

Gounod was born in Paris,  his father an artist and his mother a pianist and also his first piano teacher.  He showed an early aptitude for music.  He studied at the Paris Conservatoire and won the Prix de Rome in 1839 for his Cantata Fernand.  He contemplated taking holy orders but went back to composition before taking his vows.  In 1854 he competed a Messe Solennelle also know as St Cecilia Mass.

The sister of Felix Mendelssohn, Fanny, introduced Gounod to the works of JS Bach, in particcular he admired The Well-Tempered Clavier  and it inspired him to write a melody to the Prelude in C major, later adding the words "Ave Maria" and it became a success. in 1859 he wrote Faust for which he is best remembered.

Between 1870 and 1874, Gounod lived in London, becoming conductor the Royal Choral Society. Much of his music at this time was choral.

As he grew older his music became more sacred. He was made a Grand Officer of the Légion d'honneur in 1888 and died of a stroke in 1893.

4th February 2018 Candlemass

When to the Temple Mary Went       Johannes Eccard (1553-1611)

Johannes Eccard was a German composer born in Mühlhausen in what is now Thuringia , Germany.  At the age of 18 he went to Munich as a pupil of Orlando Lasso and it is thought he travelled with Lasso to Paris. In 1574 he was back in Mühlhausen and stayed there for 4 years.  With Joachim a Burck he edited a collection of sacred songs, Crepundia sacra Helmboldi (1577). In 1583 he was appointed assisstant conductor and in 1599 conductor at Konigsberg. In 1608 he was called to Berlin as principal conductor, a post he only held or 3 years due to his death.

Eccard's works are mostly choral compositions for 4 to 9 voices, sacred chorales and cantatas. He is much admired by musicians for the polyphonic structure of his work.

Eccard from Wikipedia

28th January 2018 Epiphany 4

The Lamb      Music John Tavener (1944 - 2013), Words William Blake (1757-1827)

John Tavener from Wikipedia

Tavener was born in Wembley, London.  He was a music scholar at Highgate School, where a fellow scholar was John Rutter. The school choir was often used by the BBC when they needed a boys' choir. He began to compose whilst at school and was also a pianist good enough to perform with the National Youth Orchestra. In 1961 he was organist and choirmaster at St John's Presbyterian church, Kensington, a post he held for 13 years. He went to the Royal Academy of Music in 1962 where he decided to concentrate on composition and gave up the piano.

He came to prominence with his Cantata "The Whale" in 1968. In 1971 he began teaching at Trinity College of Music in London. In 1977 he converted to Russian Orthodox Church.  Orthodox liturgy became a major influence on his composition.  

"The Lamb" written in 1982 for his nephew's third birthday has become a choral classic.  It was composed in a single afternoon for unaccompanied SATB choir, using William Blake's poem.

He was knighted in 2000 for his services to music. John Rutter describes Tavener as having the "very rare gift" of being able to "bring an audience to a deep silence."

William Blake was largely unrecognised during his life, he is now considered to be one of the seminal figures of poetry and art in the Romantic age. He was born in Soho and although his family were English Dissenters, he was baptised.  The Bible  was a profound influence on his work. In 1772 Blake was apprenticed to James Basire, an engraver, for 7 years. At the end of his term aged 21, he became a profession engraver.  He had been taught an outmoded style and it is thought that this tuition held him back from greatness during his lifetime. 

In 1779, Blake began as a student at the Royal Academy where he was somewhat rebellious against Joshua Reynolds.

In 1800, Blake moved to Felpham, illustrating poetry by William Hayley.  He was unhappy in his work and returned to London after 3 years.

William Blake
Wikipedia

Blake was often considered "mad" by his contemporaries for his idiosyncratic views.  The singularity of his work makes him difficult to classify. 

"The Lamb" is from a collection of poems "Songs of Innocence".   It was always intended to be sung, but Blake's melody is lost. It was set to music by Vaughn Williams in his song cycle "Ten Blake Songs"  and later by Sir John Tavener.

Sunday 21st January 2018 Epiphany 3

Ave Verum Corpus   WA Mozart

See 23rd July 2017